
Written Works
Books:
(2025) ‘Wirrawoorliny / Whirlwind’ by Kim Scott, Cass Lynch, and Wirlomin Noongar Language and Stories. Illustrated by Monique Farmer. Here it read aloud here.
Short stories, flash fiction and short creative non-fiction:
(2025) ‘Silken Cities (After Italo Calvino)‘ for AHRC funded project ‘Rethinking Fables in the Age of Global Environmental Crisis‘
(2023) ‘Wheat and Moon’ in Westerly 68.1
(2023) ‘Ancestor’ in A Field Guide For Stargazing by Mess Books for Perth Festival Visual Arts Program 2023 (read here)
(2022) ‘Riverland’ in A Glossary of Water for Rivus: 23rd Biennale of Sydney (reprint)
(2022) ‘Bardi Man’ for the Undertow exhibition at Fremantle Arts Centre, part of Perth Festival (read online, halfway down page)
(2021) ‘Duneland’ in Bilya Bidi: Crossings for Fremantle Biennale
(2021) ‘Split’ in Flock: First Nations Stories Then And Now from UQP (reprint, on VCE English curriculum)
(2021) ‘Watershed’ for Arts House Melbourne (read or listen online)
(2019) ‘Ricochet’ in Westerly Ancestor’s Words online special edition (read online)
(2019) ‘Iridium’ in the Other Suns exhibition catalogue at Fremantle Arts Centre
(2018) ‘Split’ in Stories of Perth by Brio Books
Poems:
(2026) ‘Koondart wer Koondarm – Cloud and Dream’ in Terra Nullius : Christopher Pease exhibition catalogue by John Curtin Gallery (reprint)
(2026) ‘Spiders Build Your Webs at Night’ in If I Could Eat The Stars and Other Poems by Fremantle Press
(2026) ‘Syrinx’ for What The River Holds exhibition at Yagan Mia Wireless Hill Museum (reprint, vinyl reproduction on gallery wall)
(2025) ‘Koondart wer Koondarm – Cloud and Dream‘ in Looking Across the Lake: 25 Years of Art for City of Joondalup
(2025) ‘how to read a poem to a spider‘ for AHRC funded project ‘Rethinking Fables in the Age of Global Environmental Crisis‘
(2025) ‘Weaver’ in Creative Responses for Indian Ocean Craft Triennial 2024
(2024) ‘Moolar Nih / Wetland Listening’ poem installation for City of Kwinana
(2024) ‘Syrinx’ for Melville Midwinter by City of Melville
(2024) ‘Birak’ in Right Way Down and Other Poems by Fremantle Press
(2023) ‘origami cockatoo’ in Shipping Roots: Plant journeys through Empire, edited by Keg de Souza
(2023) ‘Walyalup Haiku’ in Walyalup Waters art exhibition (vinyl text on gallery wall) curated by Yvonne Doherty for Ten Nights in Port
(2022) ‘Haiku’ in Four Rivers, Deep Maps, edited by Jo Jones with Neil Curtis
(2022) ‘sea fossils’ in Plumwood Mountain Journal (read online)
(2021) ‘Miyaak Haiku’ in Westerly Great Southern online special edition (read online)
(2021) ‘nookert-ngoornd-barniny / sleepwalking’ for Cordite (read online)
(2020) ‘Yoowalkoorl’ for the Yoowalkoorl exhibition for Midland Junction Arts Centre (read online)
(2019) ‘Five Haiku’ in Westerly 64.1 – Patricia Hackett Prize Winner 2019 (read online)
(2019) ‘Dilbi Werdiny/Leaf Falling’ installation at Regal Place in East Perth
Articles and essays:
(2026) ‘Time Shallows: Temporalities on Noongar Country‘ for Blue Art Journal
(2026) ‘Walyalup/Fremantle: A Place Where Paths Meet’ for City of Fremantle Public Art Strategy 2025-2035 document
(2025) ‘Rescuing the matriarch trapdoor spiders of Porongurup‘ with Dr Leanda Mason for Australian Geographic
(2022) ‘Katie West’ in MCA catalogue Primavera 2022: Young Australian Artists
(2022) ’20 years in the making: witnessing the Dwoort Baal Kaat songline’s incredible return to Noongar Country’ for The Conversation
(2021) ‘Asking for our blood’ for Overland
(2020) ‘MARINATE(V)’ for the Preppers art exhibition by Arts On The Move
(2019) ‘Five Short Blasts: A Collection of Reflections’ by Semaphore
(2017) ‘The Role of Art in Decolonisation’ for Artsource
Reviews:
(2024) ‘Yhonnie Scarce’s The Light of Day at AGWA‘ for The Saturday Paper
(2023) ‘Journeys through water, time and truth-telling’ for Seesaw Magazine
(2022) ‘Celebrating yorgas, Country and kinship at Fremantle Arts Centre’ for Seesaw Magazine
(2021) ‘Perspectives from the waves’ for Seesaw Magazine
Scripts:
(2023) ‘Boorna Waanginy: Nyitting’ for Perth Festival Special Projects: EverNow
(2021) ‘We Are The Land’ for Curtin University’s Research Rumble 2021
(2021) ‘The story so far…’ for the game Convergence for Arts House Melbourne
Editor:
(2019) ‘the banksia is lit‘ Indigenous poetry booklet for Community Arts Network